Meg Wolitzer presents two stories about unexpected guests.  In Carlos Greaves’ “A Visit from the Tune Squad,” a procrastinating writer gets a surprise intervention, in performances by Santino Fontana, Dylan Marron, and Sarah Mezzanotte.  In our second story, Willa Cather delivers a moving tale of sin and redemption.  Patricia Clarkson reads “The Burglar’s Christmas.”

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Host Meg Wolitzer presents the podcast Before The Moment, hosted by music icon Nile Rodger. Nile sits down with some of music’s biggest names to uncover the turning points that defined them, and, importantly, what was happening before everything changed. I hope you enjoy it as much as I do.

Meg Wolitzer presents three stories that explore good intentions and how they can go wrong.  In “Mantis,” by Gina Chung, a deadly insect tries to mend her ways. The reader is Monica Raymund.  Dino Buzzati’s “The Jacket,” translated from the Italian by Lawrence Venuti, features a garment that just keeps on giving—but at what cost?  The reader is Justin Kirk.  And two outsiders connect at a party in Caitlin Horrocks’ “23 Months,” read by Liza Weil.

 

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Meg Wolitzer presents three stories in that explore the idea of “fitting in,” and whether it’s worth the effort.  In “Reality,” by Diana Spechler, a woman longs for the ephemeral glory of a reality show. It’s read by Kirsten Vangsness. “Long Hair,” by Uche Okonkwo, performed by Karen Pittman, explores hair as a form of power.  And “A Sacrifice,” by Simon Van Booy, performed by Joanna Gleason, tells of social dynamics and family secrets in a small Irish village. A brief interview with Van Booy is included.

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On this episode, a story about bad behavior. But it's also about family and the limits of forgiveness. While this story wasn't written that long ago, due to technological advancements, it feels like a piece of the past. Just 10, even 5 years ago, you had to know a character they called a "bookie" to "place your bets" and, if you didn't pay up, "have your legs broken." That's the world we're about to enter. The story was written by Austin Blaze. Blaze is a writer from Northern California. His work has been listed as a distinguished story in The Best American Short Stories and has been nominated for the Pushcart Prize and the PEN/Robert J. Dau Short Story Prize. Our reader is Will Brill. Brill went to Broadway in the revival of Oklahoma! and in the play Stereophonic—for which he won a Tony. On TV, he's featured on series such as The Marvelous Mrs. Maisel, and in films including Darren Aronofsky's Caught Stealing. After the story, Blaze speaks to host Aparna Nancherla about his work. 

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On this Selected Shorts, host Meg Wolitzer invites us on a literary tour of Ireland with bestselling author Colum McCann, who hosted a live event at Symphony Space celebrating the rich heritage of Irish literature, and some gifted contemporary voices.  The program includes, “Lucy’s Boyfriend,” a sharp-witted story about contemporary dating mores by Anne Enright, read by Crystal Dickinson; a touching reflection on the loss of Ireland’s young to jobs overseas, “Fishing in the Sloe-Black River,” by McCann himself, read by Aedin Maloney; and “Toronto and the State of Grace,”  a wild social comedy by Kevin Barry that takes place at a bar at the end of the world and is read by Santino Fontana.

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Host Meg Wolitzer presents two works that reassess and redefine our ideas of “the West.”  It’s both a landscape of awesome beauty, and the scene of cultural appropriation, and we’ve got two masters sharing and shaping our experience.  In Louise Erdrich’s “The Hollow Children” a natural disaster tests family ties.  It’s read by Tate Donovan.  And writer and environmental activist Rick Bass stress tests the West, and his main character, in “Fires,” read by John Benjamin Hickey.  We also reprise part of an interview with Louise Erdrich from earlier in the year.  In it, she mentions a new novel in progress, which has now been published: The Mighty Red: A Novel.

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Meg Wolitzer presents two stories that combine different sorts of unknowables:  unidentified—or hard to identify—flying objects, and romantic love.  In “The Duck,” by Ben Loory, a heartsick mallard has chosen a really unattainable object of affection.  The reader, at the Mahaiwe Performing Arts Center in Great Barrington, was Sonia Manzano.  And an early Haruki Murakami story, “U.F.O. in Kushiro,” sends a jilted husband on a journey of self-discovery.  The reader, at The Japan Society, was Javier Munoz.

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Meg Wolitzer presents two favorite Selected Shorts works in which food and nourishment figure both literally and symbolically.  The narrator of Haruki Murakami’s “The Year of Spaghetti” seems to be just sharing pasta recipes, but it’s the recipe for assuaging loneliness that may elude him.  The reader is Sopranos alum Michael Imperioli.  And unusual family dynamics shape Amy Bloom’s “Love is Not a Pie,” performed by Hope Davis.  We also share a discussion of this work by the mother and daughter book club organized by our frequent reader Rita Wolf and her daughter Anjeli.

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Host Meg Wolitzer presents two works about love and marriage.  In Amy Silverberg’s “Have You Met Husband?” two men and a dog vie for this title.  The reader is Molly Bernard.  And Mary Gordon’s “The Magician’s Wife” is a touching portrait of life-long devotion—a kind of magic itself.  The reader is Jane Curtin.

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British actor Tim Curry died on August 26th at the age of 80. Celebrated for his infamous portrayal of Frank-N-Furter in the musical The Rocky Horror Picture Show, his decades-long career included many other roles on stage and screen.   Among them, Mozart in Amadeus; King Arthur in the Monty Python musical Spamalot; and the evil clown, Pennywise, in a television adaptation of Stephen King’s It.

In a generous obituary, the BBC shared tributes from many friends and admirers in the arts.  One was from comedienne Carol Burnett, who wrote on social media that "nobody could play lovable villains better than he could".

And that is the Curry we are pleased to share with you in this special bonus podcast, in his deliciously chilling and seductive reading of Stephen O’Connor’s "Ziggurat."

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