The Tortured Poets Department, Taylor Swift's 11th studio album, finds the songwriter in the world of literature. She interweaves personal romance with mythical creation and quotations from high and low culture: Genesis, Peter Pan and even Playstation. Despite calling herself a "modern idiot," less-than-subtle nods to Sylvia Plath, Samuel Taylor Coleridge, Dylan Thomas, and Patti Smith reveal the artist’s literary aspirations and “legendary” status. The full length Anthology version contains a bookshelf of many genres: pulp fiction, diary entries, period pieces, epic poems, and her very own genre, Taylor Swift.

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Lost Notes by KCRW explores how Fela Kuti’s time in LA in 1969 was instrumental in the creation of his legendary Afrobeat sound. Hosted by Michael Barnes and Novena Carmel. Find a full transcript of Lost Notes at KCRW. And subscribe to the show.

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There are few artists pushing the boundaries of their respective genres like Maryland rapper Rico Nasty and German-Iraqi electronic producer Boys Noize. The two have run in the same circles for over half a decade, but their joint collaboration has reached an apex with their three song EP, HARDC0RE DR3AMZ, a dance-floor ready project that owes as much to Berlin techno as it does to Dutch gabber music. Rico and Boys Noize – a.k.a. Alexander Ridha – are also incredible friends with a lot of love for one another, and for producer Reanna Cruz, all of these reasons make the duo’s EP one of the best projects of the year.

On the heels of Berlin techno being added to the UNESCO list of intangible cultural heritage for Germany, Reanna sat down with Rico and Alex for this episode of Switched on Pop.

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Joe Keery is best known for his acting roles, such as the reformed jock Steve Harrington in "Stranger Things" and his chilling performance in season 5 of "Fargo." But he's also a spectacular musician. Rising through the Chicago music scene in college, he has self-released two albums under the moniker 'Djo.' His latest work, "Decide" from 2022, serves as a coming-of-age story and a meditation on navigating modern life. Despite strong initial reviews, the album only gained widespread attention two years later when its breakout hit "End of Beginning" became a soundtrack for youthful nostalgia on TikTok, casting Keery as an accidental pop star. Joe Keery joined "Switched On Pop" to discuss the creation and significance of "Decide."

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Beyoncé's Cowboy Carter is her foray into country music, but this isn't just dirt roads, blue jeans and whiskey. Her country music distills all of American pop: blues, gospel, R&B, soul, house, hip-hop and yes, country. If this ain't country, what is?

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Hip-hop is in a weird place right now. Research says that the genre, in both streaming and chart performance, has declined over the last decade. And while rap artists can still get number one songs on the Hot 100, it’s a far cry from the peak of trap circa 2017, when Nielsen data named hip-hop as the most popular genre in the U.S.

So what does that mean for the future of rap? To find out, producer Reanna Cruz spent all weekend reporting from Inglewood, CA, at the California edition of the world’s largest hip-hop festival: Rolling Loud. Through talking to attendees and catching the weekend’s hottest sets, they learned about the current state of hip-hop – the good and the bad – as well as what the future may hold.

To read Reanna’s highs and lows from the festival, check out their Vulture article here. 

Special thanks to Antonio Cruz for his production help on this episode.

Songs Discussed:

• OsamaSon – Pop
• Nicki Minaj – BARBIE DANGEROUS
• ¥$, Kanye West, & Ty Dolla $ign – EVERYBODY (live)
• ¥$, Kanye West, & Ty Dolla $ign – BACK TO ME (live)
• Junior H – Y LLORO
• Natanael Cano – Pacas de Billetes
• Fuerza Regida – Enculado
• That Mexican OT, Lefty SM – Barrio (with Lefty SM)
• That Mexican OT – Cowboy Killer (live)
• KenTheMan – Not My N**** – Extended
• KenTheMan – Poppin Sh!t
• KenTheMan – Keep Going (live)
• Kaliii – Area Codes
• Action Bronson & Statik Selektah – Respect the Moustache
• Drake, SZA, & Sexyy Red – Rich Baby Daddy (live)
• Sexyy Red, Sukihana – Born By the River (feat. Sukihana)
• Sexyy Red, Chief Keef – Skee Yee (live)
• Nettspend – shine n peace (live)
• Nettspend – deftones snippet (live)
• Matt Ox – Overwhelming
• Nettspend – What they say
• SOPHIE – BIPP

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What do Duke Ellington, United Airlines, and the K Pop group Red Velvet share in common? They've all covered George Gershwin's piano concerto, Rhapsody in Blue. First premiered in 1924, the piece became an immediate hit for the way it blended American jazz with the European symphonic tradition. Gershwin had a number of successes as a composer in his day—his aria "Summertime" from the opera Porgy and Bess is by some measures the most covered song ever—but the staying power of the Rhapsody make it a rare instrumental piece that's instantly familiar. Maybe too familiar.

In 2024, there will be many centennial performances of this iconic piece, but pianist Lara Downes wanted to do something more than just the sound the notes of Gershwin's score for the umpteenth time. Downes commissioned Puerto Rican musician Edmar Colon to create a new version of Gershwin's composition, one that brought in the full spectrum of American life in 1924: fiery improvisation, Latin percussion, and dance rhythms. The resultant piece both pays tribute to an American icon while adding a new set of modern counterpoint.

Nate sat down with Lara to ask her if she was nervous to rewrite such a canonic piece, why a concerto is like a musical kaleidoscope, and the surprising family connection to Gershwin's musical world she discovered while researching Rhapsody in Blue.

Songs Discussed

George Gershwin, Lara Downes, Edmar Colon - Rhapsody in Blue Reimagined

Gershwin - Rhapsody in Blue

Gershwin - 3 Preludes: II. Andante con moto e poco rubato

Sarah Vaughan - Nice Work if You can Get It

Sam Cooke - Summertime

Chet Baker - But not For ME

Louis Armstrong - Aint Misbehavin

Ella Fitzgerald - Blue Skies

Red Velvet - Birthday

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Sidestep the gossip and focus on the music in Ariana Grande’s latest album Eternal Sunshine. The music is an exercise in nostalgia: 70s Disco, 90s R&B, and 00s pop and dance music. As she moves through the musical past, her lyrics tear through past relationship. But its the way her lyrics interweave with the deft melodies and harmonies that reveal the meaning of the record. 

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Songs Discussed

• Ariana Grande - Eternal Sunshine, Bye, Don’t Wanna Break Up Again, True Story, The Boy Is Mine, We Can’t Be Friends, Imperfect For You
• Isaac Hayes - Theme From Shaft
• Barry White - Can’t Get Enough of Your Love Babe
• Britney Spears - Oops I Did It Again, Gimme More
• Brandy, Monica - The Boy Is Mine
• Aaliyah - Are You That Somebody
• Ginuwine - Pony
• Robyn - Call Your Girlfriend, Show Me Love

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In a landscape where the music industry seems designed to stifle creativity and independence, Amelia Meath stands as a beacon of resistance. Through her involvement in bands like Sylvan Esso, Mountain Man, and The A's, and as a founder of label Psychic Hotline, Meath defies the narratives that label success in music. This conversation dives into the systemic challenges musicians face today—from the pitfalls of streaming economics to the trials of touring and beyond. Yet, it's not just about the hurdles; it's a conversation on solutions, embodied by Meath's multifaceted career and the inspirational journey of David Gray, whose story of grassroots success with "Babylon" serves as a case study in artistic resilience and independence.

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Songs Discussed

David Gray - Babylon, Shine, What Have I Become, Skellig

Sylvan Esso - Coffee, Die Young

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Live from On-Air Fest in Brooklyn, Nate and Charlie investigate listeners’ burning musical mysteries, such as: Is Beyoncé’s reference to Lexus in “Texas Hold ’Em” product placement? And, could we be tuning all our music the wrong way? These stories have twists, turns, and a live parody performance that no asked for.

Thanks to Steve Stoute, Lucas Keller, Samer Ghadry, Helen Zaltzman, and Phil Pappas for contributing to this episode.

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Songs Discussed:

• Beyoncé – TEXAS HOLD ‘EM
• RUN DMC – My Adidas
• Busta Rhymes – Pass The Courvoisier Part II
• Taylor Swift – Out of the Woods
• Outkast – Hey Ya!
• Jason Aldean – Take A Little Ride
• Justin Timberlake – I'm Lovin' It
• Chris Brown – Forever
• Pitbull – Rain Over Me (ft. Marc Anthony)
• Lady Gaga – Telephone (ft. Beyoncé)
• Beyoncé – SUMMER RENAISSANCE
• Beyoncé – Crazy In Love (ft. Jay-Z)
• LFO – Summer Girls
• Aqua – Barbie Girl
• Moonlight Sonata (432hz)
• Here Comes the Sun (432hz)
• Deep Focus Music with 432 Hz Tuning and Binaural Beats for Concentration - Study Music

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One of the most inventive and gifted musicians working today is none other than Jacob Collier. Maybe you know him from his YouTube videos, or co-writing SZA’s “Good Days,” or even performing alongside Joni Mitchell at this year’s Grammys. Jacob is a musician with thunderous chops, proficient on multiple instruments and with a voice that ranges from bass to soprano. over the past few years, he’s managed to release several records, net collaborations with everyone from Michael McDonald to T-Pain, and become the first British artist to receive a Grammy Award for each of his first four albums. His latest album Djesse 4 is the conclusion to his Djesse quadrilogy, and it features a kaleidoscopic range of style, from Indian sitar to Colombian reggaeton to a haunting Simon and Garfunkel cover. This week, we’re going to take a look inside the work and process of a musical mad scientist – our resident songwriter Charlie Harding sat down with Jacob to learn about his new record, his collaborators, and the beautifully unique way he sees and thinks about music.

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SONGS DISCUSSED

Jacob Collier - In My Room, 100,000 Voices, A Rock Somewhere, Little Blue, She Put Sunshine

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