Joe Nelson is co-founder of Trust Records, which specializes in preserving and extending classic punk and hardcore records for future generations including Circle Jerks, 7 Seconds, DFL, SSD and more. 

Topic Include:

• Interview kick off
• Origin & Mission of Trust Records
• Creating a legacy, giving back to community
• Adding materials to allow new listeners to understand the history
• Engaging Circle Jerks securing “Group Sex” and “Wild In The Streets”
• Building the trust for a new model of managing punk legacy
• Keith Morris is punk rock Yoda
• Gathering materials, tapes, pictures, artwork for reissues
• Brokering deals for various stakeholders
• Initial pressings often aren’t the best the music can sound
• Using stems for remixing, listener participation
• Difficult projects to pull together
• Upcoming releases: SSD “Get It Away”, Stalag 13 “In Control”, SNFU “... And No One Else Wanted To Play”, Royal Crown Review
• Hepcat – Greg Lee’s special request, Aggression, 7 Seconds “New Wind” and extras
• The story of Descendents / Circle Jerks split – 1st non-reissue
• Trust Records sell out quick – any upcoming repressings?
• SSD “The Kids Will Have Their Say” reissue is true to the original – cover variations
• Pressing records during the pandemic
• Is Trust mainly vinyl? Any CDs or Cassettes, etc?
• 7” singles within some of the Trust releases – 7 Seconds, Agression
• Youth Brigade – Sound and Fury Deluxe Edition – original album
• Negotiating with multiple band members
• What does he think will happen with SST Records?
• The recent sale of Dead Kennedys catalogue
• Interview wrap up

Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide

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Steve Albini, musician, engineer and producer of some of the most memorable records of the 90s up through today. His ears and musical sensibilities were stellar and his wit and attitude made him appreciated and revered by most. RIP Steve Albini.

Topic Include:

• Steve doesn’t consider himself an audiophile
• Steve’s turntable and home audio system
• Taking care of records
• Favourite record shops
• Liquidating his record collection
• Discovering the Stooges & Ramones in Montana
• Entering the punk scene of Chicago
• Big Black “Lungs” items and inserts
• Experimenting and making each record unique
• Quantities, repressings and collectability
• The Mentally Ill’s “Gacy’s Place” single
• Reverse shoplifting at a record store
• Collecting consignment money
• “Do you know what a hooker DOESN’T want to do on her night off?”
• Seeing bands, taking care of ears and hearing
• Still hearing most detail but aware of decline
• Never comfortable delegating critical tasks
• How does Steve protect his hearing?
• Shifting from “Engineer Steve” to “Creative Musician Steve”
• Balancing priorities, studio bookings and personal music
• What’s the best rumour you’ve ever heard about yourself?
• Who is a band you haven’t worked with that you’d like to?
• Working with The Stooges
• Slint spills tea across the recording console
• Interview wrap up

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Matt Pike (Sleep) and Coady Willis (Big Business, Melvins) discuss their latest High on Fire album "Cometh The Storm", the many vinyl variants, touring, winning a Grammy and much more.

Topic Include:

• Coady and Matt fighting with Zoom
• Great response to the new album
• When is it time to do a new High on Fire album
• The process of writing a new album
• Lessons learnt with Melvins brought to High on Fire
• Any outtakes or over-recording?
• Involvement in the vinyl variants
• Quantities of vinyl pressings
• Forming and sequencing the album
• Where Matt keeps his Grammy
• Memories of Lemmy
• Reaction when the Grammy nomination was announced
• Busting Coady’s chops
• Touring the new LP first in Europe
• Is post-Covid touring normalizing?
• Potential Australian tour dates to be announced?
• Integrating tours with various other bands
• What’s up with Big Business?
• Balancing multiple bands
• Sleep Dopesmoker pot leaf vinyl from Third Man
• Al is great at marketing and merch ideas
• The Sleep Vault materials
• The recent reissue of “The Art of Self Defence”
• Interview wrap up

Get High on Fire "Cometh The Storm" on vinyl here.

Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide

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DEAD and We Empty Rooms regularly releases extremely ambitious vinyl packages and boxsets. Today we speak with proprietor Jem on the making of these collections, the recent "Burn Us Clean" 9-7" boxset, working with Hard-Ons, Melvins and what's next for this creative label.

Topic Include:

• Zoom anxiety / interview start
• Jem’s skills in manufacturing and music
• Keeping limits of record numbers
• Variations of “The Laughing Shadow”
• Using various record pressing plants and materials
• Manufacturing challenges
• Discovering records – much cheaper than CDs
• Zenith records made the “Burn Us Clean” records
• Deciding to make a boxset of 9 – 7” records
• Working with 9 other bands to have b-sides for each single
• The Melvins and Hard-Ons split – 70g 7”
• Hard-Ons 30 Years boxset
• Guidance from Hard-Ons for their boxset
• Recording the new album with all-analogue intentions
• Announcing their new Double Album
• The various versions of “Burn Us Clean” boxset
• The logistics of coordinating “Burn Us Clean” boxset
• Minimal guidance given to the other bands
• Packaging for the “Burn Us Clean” boxset
• The surprise flexi-disc
• Will DEAD consider another major boxset?
• Hand-silkscreened record sleeves
• Upcoming new double LP set
• Other projects with ambitiously underestimated complexities
• The endearing qualities of hand-crafted record packaging
• Interview wrap up

Follow DEAD and We Empty Rooms' Bandcamp pages here.

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Dweezil Zappa returns to The Vinyl Guide to share stories of Frank, the recordings, Frank's record collection, an unreleased track with Eddie Van Halen, discuss his tour celebrating 50 years of "Roxy & Elsewhere", "Apostrophe'" and more!

• The changing world of touring
• 50 years since “Roxy & Elsewhere” & “Apostrophe”
• Memories of the making of Roxy and Apostrophe
• "Roxy and Elsewhere" arrangements and approach for live shows
• Frank’s approach to being “in the moment” in a guitar solo
• Dweezil’s live interaction with other band members
• The Rox(postroph)y  touring band
• Did Dweezil recognize the uniqueness of his upbringing?
• Dweezil’s history with playing guitar
• Seeing the guitar neck as shapes
• Working with his dad and musicians that were around the house
• Frank’s response to Dweezil becoming a musician
• How did Frank look back on “Roxy & Elsewhere” and “Apostrophe”?
• Various entry points to Frank’s music
• Does Dweezil have his father’s archivist mentality
• Dweezil has had no involvement for Zappa Family Trust releases
• Thoughts on the recent Roxy box sets
• What Zappa music is Dweezil still aspiring to play?
• ROX(POSTROPH)Y tour plans, international tour dates?
• Dweezil’s version of “Stayin’ Alive” with Ozzy Osbourne
• Frank and Ozzy’s interactions
• Frank’s vinyl collection and listening habits
• When the Zappa family would receive Frank’s latest album
• Did Dweezil have any time with Randy Rhoads?
• The unreleased “What The Hell Was I Thinking?” track w/ Eddie Van Halen, Brian May, Angus and Malcolm Young & lots more
• Dweezil is remixing projects for ATMOS (Deep Purple ‘Machine Head’ recent project)
• The history and future of “What The Hell Was I Thinking?”
• Working with Brian May, Joe Walsh and Eddie Van Halen
• Any special guests on the ROX(POSTROPH)Y tour
• Dweezil’s podcast “Running with the Dweezil”
• Interview wrap up

Check out Dweezil's tour dates here.

Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide

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Michael Cuscuna (1948-2024) spent several decades preserving record label archives and compiling rare recordings, sessions and 'vault material' through Mosaic Records. In theis 2019 interview he discusses this fascinating journey through the vaults of Blue Note, Atlantic, Impulse and more to make this material available to music lovers around the world.

• Starting his career, joining Atlantic
• Producer and A&R for Atlantic Records
• Working with the Atlantic Records tape warehouse
• Early tape finds – Mingus at Antibes
• Convincing Ahmet Ertegun to reissue lost material
• Unissued material lost in a building fire
• Starting to document and archive Blue Note tapes
• Joining Blue Note, organizing the archive
• Finding Alfred Lion’s notes and files in Japan
• Obtaining the Francis Wolff photography negatives
• Improving the condition of the negatives and imagery
• Was Alfred aware of the legacy of Blue Note Records?
• Did Blue Note have the original artwork and cover layouts?
• Memories of the Blue Note Reissue Series
• Much of the Blue Note vault materials have been issued
• Trainwreck sessions that haven’t been released
• Blue Note artwork in the 70s and 80s
• Listening to hours and hours of outtakes
• Idea for Mosaic Records boxsets
• Working with various labels and rights holders for reissues
• Columbia reissuing Miles Davis
• Mosaic shift from LP to CD
• Deciding what’s next for Mosaic Records releases
• Challenges of developing boxsets
• Most rewarding Mosaic Releases
• Current pricing of Mosaic Records boxsets
• Story of the Monk/Coltrane at Carnagie Hall
• Story of the Charlie Parker / Dean Benedetti tapes
• Interview wrap up

Support this podcast at: www.Patreon.com/VinylGuide

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Buzz Osborne and Toshi Kasai have been musical collaborators for several decades of Melvins and related releases. They discuss their partnership, history, studio lessons and memories, recording "Tarantula Heart", future releases and more.

• Buzz and Toshi met at a Tool recording session
• Toshi and Buzz have similar humour and work ethic
• Melvins work on defined time schedules
• How “Tarantula Heart” was recorded
• Melvins have to re-learn the songs from Tarantula Heart
• Potential relation to “Plan D” recording approach
• Making the 20 minute track “Pain Equals Funny”
• How to approach playing “Tarantula Heart” tracks live
• Melvins activity during the pandemic
• Recording session with Melvins & Napalm Death
• Lots of Melvins unreleased material
• What has Buzz Learned from Toshi?
• Buzz would like to re-record the Atlantic albums
• What has Toshi learned from Buzz?
• How will Buzz approach the next album?
• Constraints during recording
• Trying to not overthink material
• Examples of sessions that were not successful
• Husker Du’s “Data Control” was recorded multiple times before the Helms Alee version
• Upcoming HAZEXXL remix of “Pain Equals Funny” / Boris split
• Melvins recent vinyl reissues
• “(A) Senile Animal” vinyl screwup
• Any preparation for the end of Melvins?
• Upcoming projects, albums
• Interview wrap up

Order "Tarantula Heart" at Ipecac or Blixt Merchandise

Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide

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Drumming legend Chester Thompson has played with many great artists including Frank Zappa, Wayne Shorter, Genesis and more. Today we discuss some career highlights, his new solo LP "Wake Up Call" and more.

• Chester’s music collection
• Seeing Art Blakey, Elvis Jones and more
• Being a gigging drummer at 13 years old
• Recording with O’Donel Levy – 1st appearance on record
• Moving to California, playing for Frank Zappa
• Recording “Roxy & Elsewhere” w Ralph Humphrey
• Playing with multiple drummers
• Frank was very fair paying musicians for all output
• Steering clear of the Los Angeles lifestyle
• Joining Weather Report, working with Wayne Shorter
• Recording “Black Market”
• Playing with Jaco Pastorius / Columbia Records supportive of fusion
• Playing with a Broadway show, getting the gig with Genesis
• 1st tour with Genesis / evolving style to play Phil’s tracks
• Chester’s perspective of the evolving music of Genesis
• The growth of Genesis / expanding fanbase
• The recent discussions of Genesis reunions with Peter Gabriel
• The biggest shows / Memories of The Prince’s Trust
• Approaching solo material
• Making the album “Wake Up Call”
• Writing with drums first before melody
• The reasons for title “Wake Up Call”
• Some drummers needing to relearn technique
• Upcoming plans for live gigs
• Getting involved in ProgRock.com label
• Is Chester surprised by the vinyl revival?
• Interview wrap up

Get the vinyl version of "Wake Up Call" here.

Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide

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Keith Morris returns to discuss the new Circle Jerks & Descendents EP, new Circle Jerks recordings and vinyl reissues, OFF!'s "FREE LSD" movie, additional acting opportunities, movies & more!

• Keith is on tour – Circle Jerks, Descendents & Adolescents
• Growing up with The Descendents
• Circle Jerks & Descendents covering one another’s songs
• Limited quantities of the EP – on tour
• Outtakes from the EP
• The story of Black Flag’s “White Minority”
• “Hope” is Keith’s favourite Descendents song
• Any special combination of bands on the tour? Potential FLAG performance?
• Keith has to pee – First time
• Balancing the various projects (OFF!, The Bronx, etc)
• What’s happening with OFF!
• The impact of “The Sparks Brothers” documentary on the band
• Video of Sydney OFF! Show mixed by “Party Dozen” drummer
• Keith’s preparation for acting in “FREE LSD” movie
• Upcoming acting opportunities / future movies and projects
• Keith’s autobiography “My Damage” has been optioned for a movie
• Upcoming Circle Jerks recordings – D.O.A. and Gun Club covers
• New Circle Jerks album is going to happen
• Working with Trust Records
• Upcoming reissues of “Golden Shower of Hits”, “Wonderful” and more
• Legal issues with older materials
• When will we see the new Circle Jerks album?
• What’s happening with Keith’s hat / Punk Rock Museum
• Interview wrap up
• Keith has to pee – again
• Circle Jerks announcement for Australia

Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide

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Charlie Benante of Anthrax shares the story of "Chafed GBI", an RSD2024 release with bandmate Scott Ian and rock icon Dave Grohl, along with sharing stories from his current Pantera tour, his love of Van Halen, his prized collectables and more.

• The story of “Chafed GBI” – Grohl, Benante, Ian
• Playing “Monkey Wrench” with the Foo Fighters
• What makes Studio 606 such a great recording studio?
• What other songs were considered aside from “The Regulator”?
• Making it a charity single for members of Bad Brains
• Arranging it for a Record Store Day release
• Description of the vinyl & etching
• Full record vs multiple EPs for new Anthrax
• Bringing Pantera’s music back to live arena
• Did Vinnie ever talk about playing Pantera music again?
• Charlie and Vinnie and their love of Van Halen
• Meeting Eddie at Dimebag Darryl’s funeral - Bumblebee guitar in Darryl’s coffin
• Van Halen changed everything
• Playing songs the original Pantera didn’t play live
• Potential live recordings of Pantera tour
• Any unfinished Pantera songs?
• Charlie is a collector of toys, movie memorabilia
• Getting a Beatles Butcher Cover
• The Jaws barrel
• Charlie loves the original Jaws – not the sequels
• Getting singed Funko characters
• Hunting for items around the world
• Keeping collectibles sealed
• Charlie’s Charvel guitar he’s written most Anthrax songs on
• Feeling the presence of Darryl and Vinnie on the Pantera Tour
• Taking items from Darryl and Vinnie to each show
• How the Pantera celebration came together
• Charlie got a Krusty the Clown tattoo in Australia
• Looking forward to the Australia shows
• Interview wrap up

Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide

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Jack Douglas shares memories of the production and recording of John Lennon & Yoko Ono's "Double Fantasy", John Lennon's last day and memorial, unheard studio recordings, the 2010 'Stripped Back' version, Cheap Trick's "Live at Budokan" and more.

• John Lennon’s records
• Bringing in Cheap Trick for Double Fantasy
• Rick Nielsen gifts John Lennon a guitar
• John Lennon wanted to redo “Strawberry Fields Forever”
• Were there any elements of Double Fantasy John or Yoko wanted to redo?
• Making “Walking on Thin Ice”
• John Lennon’s last day
• John wanted to create a musical platform for Yoko
• Recording the orgasm for “Kiss Kiss Kiss”
• The plans for a John Lennon / Yoko Ono World Tour
• The album name “Double Fantasy”
• The two “Beautiful Boy(s)” songs
• Records and video from the “Double Fantasy” sessions
• The recording of John’s final day was destroyed
• The private memorial with John’s studio tapes
• Yoko distanced herself from Jack
• The “Double Fantasy” royalty lawsuit
• The 2010 “Double Fantasy” stripped back version
• Revisiting the Record Plant for transferring “Double Fantasy” tapes
• Jack’s thought watching John on “Get Back” series
• John was constantly drawing, making art
• Discovering Cheap Trick, early albums
• Making “Live at Budokan” – using Osaka tapes
• The overdub for “Live at Budokan”
• Making Aerosmith’s “Live Bootleg” album
• The Record Plant radio station for mixdowns

Jack produced Silverplanes' LP "Airbus", enjoy it here!

Extended, Commercial-Free & High Resolution version of this podcast is available at: www.Patreon.com/VinylGuide

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